Interviews

David Acevedo (CC ’19)

“Music that has brought me closest to tears is both traditionally beautiful […] but also has a degree of intentional imperfection embedded into it.”

Choosing the opening quote for composer & trumpeter David Acevedo’s (CC ’19) post was tough, because there were lots of good ones:

  • “You don’t have to force yourself to play art you don’t like.” (why isn’t this something we practice more?? Wouldn’t it save us from many unnecessary existential crises??)
  • “Improvisation is just spontaneous composition. Composition allows you to edit what you’ve done in improv.” (We’re feeling all the Jeremy Corren vibes here.)
  • Harvesting & distributing memes.” (when asked his favorite hobby aside from music. Check out his Insta for reference).

David’s music, which he writes and performs with his band, Eyehear, is a lot like his favorite food, pastelitos: layered and heady, satisfying, and a bit surprising, with its familiar flavor profile presented in a slightly tweaked way. In his own words, his music “allows for the improv I want to do.” It’s funky, jazzy, rough around the edges–a “multi-informed” sound that is strangely beautiful and very human.

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Interviews

Kira Daglio Fine (CC ’18)

Lately at B&N, we’ve been thinking a lot about what it means to be a “musician.” Society tells us being a musician means we play no less than 300 concerts a year, jet-setting around the globe mingling amongst fabulously wealthy donors, and possibly suffering from a variety of mental illnesses in the service of “art.” The 60th GRAMMY® Awards this year told us that it’s useful to be white and cis-gender male if you want to be a musician. And for Kira Daglio-Fine (CC ’18), being a musician means expressing herself in whatever capacity she is able, at any moment she wishes.

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