Lately at B&N, we’ve been thinking a lot about what it means to be a “musician.” Society tells us being a musician means we play no less than 300 concerts a year, jet-setting around the globe mingling amongst fabulously wealthy donors, and possibly suffering from a variety of mental illnesses in the service of “art.” The 60th GRAMMY® Awards this year told us that it’s useful to be white and cis-gender male if you want to be a musician. And for Kira Daglio-Fine (CC ’18), being a musician means expressing herself in whatever capacity she is able, at any moment she wishes.
Upon first meeting Paul Chang (CC ’19), one has simultaneously every idea and no idea what to expect. He is at once like the music he produces and loves–multifaceted, soothing, with an unfairly-natural sense of rhythm–yet also a whole artichoke’s worth of layers to boot, with his passions for cooking, psychology, and Daniel Caesar. Paul is, in some ways, a manifestation of a musical yin-yang, continuously exploring sound-worlds that mirror his own mindspace and spirituality, exploring the boundaries between composer, performer, and audience.
“Expression knows no gender boundaries.”
“If someone touches my chair, I get so annoyed and tense…I know it’s not of me, and I just get so irritated!” Katie Cooke’s (CC ’19) nose scrunches as her eyebrows contort in waves, snickering at the particularity of the pet peeve she just detailed. For the budding conductor, arranger, clarinetist and future picture-book-author to so viscerally despise another person’s presence is surprising, for Katie is someone who loves people and music with her whole being. Find out more after the jump!
For Emily Shyr (CC ‘17), oboe studies and history passions are utterly intertwined. With a twinkle in her eye and a chuckle to herself here and there, Emily spoke with characteristic eloquence about musical dialogue, Ian Bostridge (the gorgeous English tenor most known for his Schubert lieder), and music’s significance to her Columbia career.